Literarnozgodovinska in književnokritična refleksija madžarske književnosti po letu 1980 v slovenščini
Abstract
Literary-historical and Literary-critical Reflection of Hungarian Literature in the Slovene Language After the Year 1980
The article considers the problem of the familiarity of the neighbouring literature and traces the literary-historical and the literary-critical writing that introduced Hungarian literature to the Slovene reader. There are three main findings: firstly, the Slovenes have been acquainted with Hungarian literature since the beginning of the 20th Century; secondly, there is less comprehension of it than could be expected, given the proximity of the nations, their connections and the importance of the literature, and thirdly, an increase in "Slovene" interest is noticeable in recent years.
Downloads
References
Dragan DRAGOJEVIČ, 2003: Spremna beseda. Brezusodnost. Ljubljana: Študentska založba.
Zsolt FARKAS, 2001: Sodobna madžarska proza. Sodobnost 65/7–8, 891–902.
Jože FILO, 1992: Kratek oris madžarske književnosti. Zbornik slavističnega društva. Ljubljana: Zavod RS za šolstvo in šport. 238–252.
─ ─, 1992: Slovenci in madžarska književnosti. Zbornik slavističnega društva. Ljubljana: Zavod RS za šolstvo in šport. 223–235.
Gabriela GAAL, 1998: Ima svet konstrukcijo? Razgledi 18/1121, 6–8.
Jože HORVAT, 1992: Pesnik kot državljan. Slovenec 76/225, 21.
─ ─, 2002: Imre Kertesz ne prizna usode, prisega na svobodo. Delo 44/249, 4.
─ ─, 2003: Spremna beseda. Kadiš za nerojenega otroka. Radovljica: Didakta.
─ ─, 2005: Tudi med manj znanimi so odlični pisatelji. Delo 47/32, 11.
─ ─, 2006: Lov za nobelovcem in zgoščena poanta. Delo 48/121, 23.
Endre KARÁTSON, 2004: Komu pišemo? Apokalipsa 86, 156–165.
Marjanca MIHELIČ, 1994: Vodnik po Esterházyu. Nova revija 11/121, 552–557.
─ ─, 1992: Madžarska proza devetdesetih. Literatura 4/34, 80–88.
─ ─, 1999: Spremna beseda. Konec družinskega romana. Murska Sobota: Pomurska založba.
─ ─, 1999: Roman lanskoletnega vileniškega lavreata v slovenščini. Delo 41/209, 19.
─ ─, 2007: Bolj kot estetika izgrajevanja nas določa estetika uničevanja. Delo 49/228, 19.
Mladen PAVIČIĆ, 2002: Je letošnji nobelovec sploh madžarski pisatelj? Delo 44/249, 3.
─ ─, 2005: Prilesti iz brezna, ki se mu pravi jaz. Emzin 15/1, 28–31.
─ ─, 2008: Ta knjiga je nevarna! Lastna smrt / Skrbna opredelitev kraja. Ljubljana: Študentska založba.
Jutka RUDAŠ, 2000: Slovenija v Nebeški harmoniji Esterházyevih. Delo 42/107, 18.
─ ─, 2004: Esterházy pri nas. Jezik in slovstvo 49/1, 17–27.
─ ─, 2006: Vzporedna življenja. Dnevnik 56/246, 7.
─ ─, 2008: Tuji gosti na Festivalu zgodbe − Fabula. Dnevnik 58/16, III.
─ ─, 2008: Življenje kot histerični molk. Delo 50/235, 26.
─ ─, 2008: Zakaj je pravzaprav treba končati roman? Dnevnik 58/20, 17.
Aleksander ZORN, 2002: Slavni madžarski pisatelj. Delo 44/235, 1.
Copyright (c) 2009 University of Maribor Press
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Copyrights
Authors of accepted manuscripts will retain copyright in their work, but will assign to Slavia Centralis the permanent right to electronically distribute their article. Authors may republish their work (in print and/or electronic format) as long as they acknowledge Slavia Centralis as the original publisher. Authors may also share the published version on their own websites, departmental webpages, or institutional repositories.
Plagiarism Policy
Slavia Centralis is a non-commercial, open access, electronic research journal. As such it pledges to uphold certain ethical principles regarding confidentiality, originality and intellectual fair play. Slavia Centralis takes copyright infringement and plagiarism very seriously and all submissions may be checked with duplication detection software.
Authors must:
- Ensure that all work submitted is original, fully referenced and that all authors are represented accurately. The submission must be exclusive and not under consideration elsewhere.
- Obtain all permissions from copyright owners for 3rd party material (e.g. quotations, illustrations, tables, etc.).