Od transkulturnih prepletenosti do integriranih učnih izkušenj? Transkulturno muzejsko izobraževanje v berlinskem Muzeju islamske umetnosti.
Ključne besede:
transkulturna prepletenost, muzejsko izobraževanje, razstavni parkur
Povzetek
Prispevek obravnava dejavnosti v muzeju, namenjene transkulturnemu muzejskemu izobraževanju, in sicer na primeru treh izobraževalnih pobud v obliki študij primera v Muzeju islamske umetnosti v Berlinu. Medtem ko razstavni parkur "Objects in Transfer" poudarja transkulturno prepletenost predmetov, je "Multaka" projekt pripravništva, ki begunce iz Sirije in Iraka usposablja za delo muzejskih vodnikov za arabsko govoreče obiskovalce. 'Tamam' predstavlja skupno pobudo skupnosti mošej in muslimanskih združenj v Nemčiji, ki razvija izobraževalno gradivo za mlade muslimane in temelji na zbirkah. V prispevku predstavljamo ključne izsledke vrednotenja interaktivnega razstavnega parkurja "Objects in Transfer" v okviru sodelovalnih projektov, kot sta "Multaka" in "Tamam".
Prenosi
Podatki o prenosih še niso na voljo.
Literatura
Beyer, V. (2016). Beyond the Museum Walls. Questioning the Cultural Delimitation of “Islamic Art” by Pointing to the Entanglement of Collections. In V. Beyer, I. Dolezalek and S. Vassilopoulou (eds.), Objects in Transfer. A Transcultural Exhibition Trail through the Museum für Islamische Kunst in Berlin, exhibition brochure (pp. 13–24).
Beyer, V., I. Dolezalek and S. Vassilopoulou (eds.) (2016). Objects in Transfer. A Transcultural Exhibition Trail through the Museum für Islamische Kunst in Berlin, exhibition brochure. http://www.objects-in-transfer.sfb-episteme.de/document/Objects%20in%20Transfer.pdf
Dolezalek, I. (2016). Alternative Narratives. Transcultural Interventions in the Permanent Display of the Museum für Islamische Kunst in Berlin. In V. Beyer, I. Dolezalek and S. Vassilopoulou (eds.), Objects in Transfer. A Transcultural Exhibition Trail through the Museum für Islamische Kunst in Berlin, exhibition brochure (pp. 25–35).
Dolezalek, I., V. Beyer and S. Vassilopoulou (2016). Introduction: Transcultural Relations, Global Biographies – Islamic Art? In V. Beyer, I. Dolezalek and S. Vassilopoulou (eds.), Objects in Transfer. A Transcultural Exhibition Trail through the Museum für Islamische Kunst in Berlin, exhibition brochure (pp. 9–13).
El-Menouar, Yasemin, Dirk Halm and Martina Sauer (2017). Muslime in Europa. Integriert, aber nicht akzeptiert? Religionsmonitor. Gütersloh: Bertelsmann Stiftung.
Falk, J. (2009). Identity and the Museum Visitor Experience. Walnut Creek, CA: Left Coast Press.
Grinell, K. (2016). Carpets and ceramics. Misrepresenting Muslim cultural heritage in Europe. In Eurozine 18 October (pp. 1–12). https://www.eurozine.com/carpets-and-ceramics/?pdf.
Reeve, J. (2018). Islamic Art, the Islamic World – and Museums. In Simon Knell (ed.), The Contemporary Museum: Shaping Museums for the Global Now (pp. 55–73). London: Routledge.
Shalem, A. (2012). What do we mean when we say ‘Islamic art’? A plea for a critical rewriting of the history of the arts of Islam. Journal of Art Historiography, 6 (June), 1-18.
Staatliche Museen zu Berlin. Museum für Islamische Kunst. Mshatta in focus: The Jordanian desert palace in historical photographs. Retrieved from https://www.smb.museum/en/museums-institutions/-museum-fuer-islamische-kunst/coll-ection-research/about-the-collection/ (Accessed: 1. 5. 2022).
Staatliche Museen zu Berlin. Museum für Islamische Kunst. Restoration Work at the Pergamonmuseum: Mshatta Façade on Display until 20 February 2022. Retrieved from https://www.smb.museu-m/en/museums-institutions/museum-fuer-islamische-kunst/about-us/whats-new/detail-/restoration-work-at-the-pergamonmuseum-mshatta-facade-on-display-until-20-february-2022 (Accessed: 1. 5. 2022).
Staatliche Museen zu Berlin. Museum für Islamische Kunst. Objectives of the Museum für Islamische Kunst. Retrieved from https://www.smb.museum/en/museums-institutions/museum-fuer-isla–mische-kunst/about-us/profile/ Accessed: (Accessed: 1. 5. 2022).
Staatliche Museen zu Berlin. Bode-Museum. Profile of the Bode-Museum. Retrieved from https://www.sm-b.museum/en/museums-institutions/bode-museum/about-us/profile/ (Accessed: 1. 5. 2022).
Staatliche Museen zu Berlin. Pergamonmuseum. Art of Islamic Cultures. Retrieved from https://www.-smb.museum/en/exhibitions/detail/art-of-islamic-cultures/ (Accessed: 1. 5. 2022).
Staatliche Museen zu Berlin. (n. d.). Art of Silami.
Staatliche Museum. The Collection of the Museum für Islamische Kunst. Retrieved from https://www.smb.m-useum/en/museums-institutions/museum-fuer-islamische-kunst/collection-research/abo-ut-the-collection/ (Accessed: 1. 5. 2022).
Staatliche Museum zu Berlin. Museum für Islamische Kunst. Multaka: Museum as Meeting Point. Retrieved from https://www.smb.museum/en/museums-institutions/museum-fuer-islamische-kuns-t/collection-research/research-cooperation/syrian-heritage-archive-project/multaka-the-museum-as-meeting-point-refugees-as-guides-in-berlin-museums/ (Accessed: 1. 5. 2022).
Titel Thesen Temperamente, “As Multaka-Projekt des Pergammonmuseums, Berlin” television feature film, German Television, ARD, 2016. Retrieved from https://www.youtube.co-m/watch?v=–M6nwNHRP-IE (Accessed 27. 4. 2020); translation by author.
Vassilopoulou, S. (2016). Bringing Academic Research into the Museum. Reflections on the Process of Developing the Exhibition Trail. In V. Beyer, I. Dolezalek and S. Vassilopoulou (eds.), Objects in Transfer. A Transcultural Exhibition Trail through the Museum für Islamische Kunst in Berlin, exhibition brochure (pp. 37-47).
Weber, S. (2012). New Spaces for Old Treasures: Plans for the New Museum of Islamic Art at the Pergamon Museum. In B. Junod, G. Khalil, S. Weber and G. Wolf (eds.), Islamic Art and the Museum: Approaches to Art and Archaeology of the Muslim World in the Twenty-First Century (pp. 293-320). London: Saqi Books.
Weber, S. (2016). Preface. In V. Beyer, I. Dolezalek and S. Vassilopoulou (eds.), Objects in Transfer. A Transcultural Exhibition Trail through the Museum für Islamische Kunst in Berlin, exhibition brochure (pp. 5–7).
Beyer, V., I. Dolezalek and S. Vassilopoulou (eds.) (2016). Objects in Transfer. A Transcultural Exhibition Trail through the Museum für Islamische Kunst in Berlin, exhibition brochure. http://www.objects-in-transfer.sfb-episteme.de/document/Objects%20in%20Transfer.pdf
Dolezalek, I. (2016). Alternative Narratives. Transcultural Interventions in the Permanent Display of the Museum für Islamische Kunst in Berlin. In V. Beyer, I. Dolezalek and S. Vassilopoulou (eds.), Objects in Transfer. A Transcultural Exhibition Trail through the Museum für Islamische Kunst in Berlin, exhibition brochure (pp. 25–35).
Dolezalek, I., V. Beyer and S. Vassilopoulou (2016). Introduction: Transcultural Relations, Global Biographies – Islamic Art? In V. Beyer, I. Dolezalek and S. Vassilopoulou (eds.), Objects in Transfer. A Transcultural Exhibition Trail through the Museum für Islamische Kunst in Berlin, exhibition brochure (pp. 9–13).
El-Menouar, Yasemin, Dirk Halm and Martina Sauer (2017). Muslime in Europa. Integriert, aber nicht akzeptiert? Religionsmonitor. Gütersloh: Bertelsmann Stiftung.
Falk, J. (2009). Identity and the Museum Visitor Experience. Walnut Creek, CA: Left Coast Press.
Grinell, K. (2016). Carpets and ceramics. Misrepresenting Muslim cultural heritage in Europe. In Eurozine 18 October (pp. 1–12). https://www.eurozine.com/carpets-and-ceramics/?pdf.
Reeve, J. (2018). Islamic Art, the Islamic World – and Museums. In Simon Knell (ed.), The Contemporary Museum: Shaping Museums for the Global Now (pp. 55–73). London: Routledge.
Shalem, A. (2012). What do we mean when we say ‘Islamic art’? A plea for a critical rewriting of the history of the arts of Islam. Journal of Art Historiography, 6 (June), 1-18.
Staatliche Museen zu Berlin. Museum für Islamische Kunst. Mshatta in focus: The Jordanian desert palace in historical photographs. Retrieved from https://www.smb.museum/en/museums-institutions/-museum-fuer-islamische-kunst/coll-ection-research/about-the-collection/ (Accessed: 1. 5. 2022).
Staatliche Museen zu Berlin. Museum für Islamische Kunst. Restoration Work at the Pergamonmuseum: Mshatta Façade on Display until 20 February 2022. Retrieved from https://www.smb.museu-m/en/museums-institutions/museum-fuer-islamische-kunst/about-us/whats-new/detail-/restoration-work-at-the-pergamonmuseum-mshatta-facade-on-display-until-20-february-2022 (Accessed: 1. 5. 2022).
Staatliche Museen zu Berlin. Museum für Islamische Kunst. Objectives of the Museum für Islamische Kunst. Retrieved from https://www.smb.museum/en/museums-institutions/museum-fuer-isla–mische-kunst/about-us/profile/ Accessed: (Accessed: 1. 5. 2022).
Staatliche Museen zu Berlin. Bode-Museum. Profile of the Bode-Museum. Retrieved from https://www.sm-b.museum/en/museums-institutions/bode-museum/about-us/profile/ (Accessed: 1. 5. 2022).
Staatliche Museen zu Berlin. Pergamonmuseum. Art of Islamic Cultures. Retrieved from https://www.-smb.museum/en/exhibitions/detail/art-of-islamic-cultures/ (Accessed: 1. 5. 2022).
Staatliche Museen zu Berlin. (n. d.). Art of Silami.
Staatliche Museum. The Collection of the Museum für Islamische Kunst. Retrieved from https://www.smb.m-useum/en/museums-institutions/museum-fuer-islamische-kunst/collection-research/abo-ut-the-collection/ (Accessed: 1. 5. 2022).
Staatliche Museum zu Berlin. Museum für Islamische Kunst. Multaka: Museum as Meeting Point. Retrieved from https://www.smb.museum/en/museums-institutions/museum-fuer-islamische-kuns-t/collection-research/research-cooperation/syrian-heritage-archive-project/multaka-the-museum-as-meeting-point-refugees-as-guides-in-berlin-museums/ (Accessed: 1. 5. 2022).
Titel Thesen Temperamente, “As Multaka-Projekt des Pergammonmuseums, Berlin” television feature film, German Television, ARD, 2016. Retrieved from https://www.youtube.co-m/watch?v=–M6nwNHRP-IE (Accessed 27. 4. 2020); translation by author.
Vassilopoulou, S. (2016). Bringing Academic Research into the Museum. Reflections on the Process of Developing the Exhibition Trail. In V. Beyer, I. Dolezalek and S. Vassilopoulou (eds.), Objects in Transfer. A Transcultural Exhibition Trail through the Museum für Islamische Kunst in Berlin, exhibition brochure (pp. 37-47).
Weber, S. (2012). New Spaces for Old Treasures: Plans for the New Museum of Islamic Art at the Pergamon Museum. In B. Junod, G. Khalil, S. Weber and G. Wolf (eds.), Islamic Art and the Museum: Approaches to Art and Archaeology of the Muslim World in the Twenty-First Century (pp. 293-320). London: Saqi Books.
Weber, S. (2016). Preface. In V. Beyer, I. Dolezalek and S. Vassilopoulou (eds.), Objects in Transfer. A Transcultural Exhibition Trail through the Museum für Islamische Kunst in Berlin, exhibition brochure (pp. 5–7).
Objavljeno
2022-08-31
Kako citirati
Lӧseke A. (2022). Od transkulturnih prepletenosti do integriranih učnih izkušenj? Transkulturno muzejsko izobraževanje v berlinskem Muzeju islamske umetnosti. Revija Za Elementarno izobraževanje, 15(Spec.Iss), 115-131. https://doi.org/10.18690/rei.15.Spec.Iss.115-131.2022
Številka
Rubrike
Znanstveni članki
Copyright (c) 2022 Annette Lӧseke
To delo je licencirano pod Creative Commons Priznanje avtorstva 4.0 mednarodno licenco.