Digital Disruption and Author Strategy: A Qualitative Study of Self-Publishing in the US Science Fiction and Fantasy Market as a Source of Intangible Assets
Keywords:
Digital disruption, Author strategy, Science fiction and fantasy, Cultural entrepreneurship, Platform economy, Publishing industry, Intangible AssetsAbstract
This paper examines how self-published authors in the U.S. science fiction and fantasy (SFF) market strategically respond to digital disruption in the publishing industry. Drawing on fifteen expert interviews analyzed through Mayring’s qualitative content analysis, the study integrates four theoretical perspectives: disruptive innovation, diffusion of innovations, the resource-based view, and actor-network theory. The results show that independent authors act as entrepreneurial micro-firms, leveraging intangible assets such as brand identity, digital marketing skills, and reader communities to navigate platform-based markets. Authors adopt funnel marketing, hybrid publishing, and platform-specific strategies to enhance visibility and monetise creative output. The sample is limited to one genre and national context, and findings are therefore exploratory. The study advances our understanding of cultural entrepreneurship and platform economies by demonstrating how digitalisation reconfigures authorial agency within sociotechnical networks of platforms, algorithms, and digital tools.
Downloads
References
Arriagada, A., & Ibáñez, F. (2020). Cultural work and precarity in the digital platform economy. International Journal of Cultural Studies, 23(2), 195–212. DOI: https://doi.org/10.1177/1367877919830068
Author Earnings. (2023). State of the self-publishing market [Industry report]. AuthorEarnings.com. Retrieved from https://authorearnings.com/
Barney, J. B. (1991). Firm resources and sustained competitive advantage. Journal of Management, 17(1), 99–120. DOI: https://doi.org/10.1177/014920639101700108
Bennett, A. (2018). Creativity, entrepreneurship and the role of the creative worker in the creative industries. In M. Banks, R. Gill, & S. Taylor (Eds.), Theorising cultural work: Labour, continuity and change in the cultural and creative industries (pp. 205–219). Routledge.
Chen, L. (2021). Algorithmic visibility and cultural production on digital platforms. New Media & Society, 23(9), 2634–2651. DOI: https://doi.org/10.1177/1461444820912534
Christensen, C. M. (1997). The innovator’s dilemma: When new technologies cause great firms to fail. Harvard Business Review Press.
Christensen, C. M., Raynor, M. E., & McDonald, R. (2015). What is disruptive innovation? Harvard Business Review, 93(12), 44–53.
Creswell, J. W. (2013). Qualitative inquiry and research design: Choosing among five approaches (3rd ed.). SAGE Publications.
European Commission. (2022). Study on the status and working conditions of authors and performers in the European creative sectors [Report]. Publications Office of the European Union. Retrieved from https://data.europa.eu/doi/10.2767/891628
Guest, G., Bunce, A., & Johnson, L. (2006). How many interviews are enough? An experiment with data saturation and variability. Field Methods, 18(1), 59–82. DOI: https://doi.org/10.1177/1525822X05279903
Hesmondhalgh, D., & Baker, S. (2011). Creative labour: Media work in three cultural industries. Routledge.
Latour, B. (2005). Reassembling the social: An introduction to actor-network-theory. Oxford University Press.
Lobato, R. (2019). Platform capitalism. Polity Press.
Mayring, P. (2014). Qualitative content analysis: Theoretical foundation, basic procedures and software solution. Beltz.
Meuser, M., & Nagel, U. (2009). The expert interview and changes in knowledge production. In A. Bogner, B. Littig, & W. Menz (Eds.), Interviewing experts (pp. 17–42). Palgrave Macmillan.
Rogers, E. M. (2003). Diffusion of innovations (5th ed.). Free Press.
Srnicek, N. (2017). Platform capitalism. Polity Press.
Statista. (2023). Self-publishing market share in the US by platform [Data portal]. Statista.com. Retrieved from https://www.statista.com/
Striphas, T. (2009). The late age of print: Everyday book culture from consumerism to control. Columbia University Press.
The Authors Guild. (2018). Author income survey [Industry report]. The Authors Guild. Retrieved from https://authorsguild.org/
Thompson, J. B. (2012). Merchants of culture: The publishing business in the twenty-first century (2nd ed.). Polity Press.
Thompson, J. B. (2020). Book wars: The digital revolution in publishing. Polity Press.
Downloads
Published
Issue
Section
License
Copyright (c) 2025 Vito Bobek, Jacob Elliot, Tatjana Horvat

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.