Kompozicije strani v stripih
DOI:
https://doi.org/10.18690/oik.53.125.3Ključne besede:
stripi, kompozicije strani, zaporedje, okvirček, smer branjaPovzetek
Prispevek analizira osnovne gradnike stripovske pripovedi ter procese pri ustvarjanju in branju stripov. Obravnava možnosti, funkcije, učinke in razvoj razporeditev elementov (mreže, robovi, zaporedja, okvirčki, razmiki) na strani kot osnovni enoti stripa.
Prenosi
Literatura
Baetens, J. in Frey, H. (2015). The Graphic Novel: An Introduction. Cambridge University Press.
Baroni, R. in Aydemir, B. (2022). Beyond the Shadow of Z: Non-Linear Reading and Experimental Approaches to Comics. Comicalités, Ce que le numérique fait à la bande dessinée. https://journals.openedition.org/comicalites/8062
Carpintero Ortega, R. (2021). Page Layout and Braiding in Hergé’s Seven Crystal Balls. Litera: Journal of Language Literature and Culture Studies, 31(2), 565–586.
Cohn, N. (2013). Navigating Comics: An Empirical and Theoretical Approach to Strategies of Reading Comic Page Layouts. Frontiers in Psychology, 4, 1–15. https://www.frontiersin.org/journals/psychology/articles/10.3389/fpsyg.2013.00186/full
Cohn, N., Axnér, J., Diercks, M., Yeh, R. in Pederson, K. (2019). The cultural pages of comics: cross-cultural variation in page layouts. Journal of Graphic Novels and Comics, 10(1), 67–86.
Cohn, N., Taylor, R. in Pederson, K. (2017). A Picture is Worth More Words Over Time: Multimodality and Narrative Structure Across Eight Decades of American Superhero Comics.
Multimodal Communication, 6(1), 19–37.
Del Rey Cabero, E. (2019). Beyond Linearity: Holistic, Multidirectional, Multilinear and Translinear Reading in Comics. The Comics Grid: Journal of Comics Scholarship, 9(1), 1–21.
Duncan, R. in Smith M. J. (2009). The Power of Comics: History, Form and Culture. Continuum.
Eisner, W. (2008). Comics and Sequential Art: Principles and Practices from the Legendary Cartoonist. W. W. Norton.
Foulsham, T., Wybrow, D. in Cohn, N. (2016). Reading Without Words: Eye Movements in the Comprehension of Comic Strips. Applied Cognitive Psychology, 30, 565–579.
Gavaler, C. (2018). Undemocratic Layout: Eight Methods of Accenting Images. The Comics Grid: Journal of Comics Scholarship, 8(1), 1–24.
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Groensteen, T. (2013). Comics and Narration. University Press of Mississippi.
Hatfield, C. (2005). Alternative Comics: An Emerging Literature. University Press of Mississippi.
Krančan, D. (2013). Bilo je zapisano: usodna ljubezenska zgodba, strip v sliki Stripburger, 22(61), 88–92.
Lefèvre, P. (2009). The Conquest of Space: Evolution of Panel Arrangements and Page Layouts in Early Comics Published in Belgium (1880–1929). European Comic Art, 2(2), 227–252.
Lefèvre, P. (2011). Some Medium-Specific Qualities of Graphic Sequences. SubStance, 40(1), 14– 33.
McCloud, S. (2011). Kako razumeti strip: o nevidni umetnosti. Cankarjeva založba.
Peeters, B. (2021). Four Conceptions of the Page. ImageText, 3(3). https://imagetextjournal.com/four-conceptions-of-the-page/
Pucelj, V. (2024). Strokovno stripovsko izrazje v slovenščini: kontrastiva z angleščino (magistrsko delo). https://repozitorij.uni-lj.si/IzpisGradiva.php?id=163740&lang=slv
Sealey-Morris, G. (2015). The Rhetoric of the Paneled Page: Comics and Composition Pedagogy. Composition Studies, 43(1), 31–50.
Seznam primerov / List of Examples
Cohn, N., Axnér, J., Diercks, M., Yeh, R. in Pederson, K. (2019). The cultural pages of comics: cross-cultural variation in page layouts. Journal of Graphic Novels and Comics, 10(1), 67–86.
Karasik, P. in Mazzucchelli, D. (2007). Stekleno mesto: roman v stripu. Literarno-umetniško društvo Literatura; Stripburger, Forum.
De Waepenaere, S. (2024). Bahn. Stripburger, 33(84), 29–40.
Hukkainen, S. (2024). Rise up, my nature. Stripburger, 33(83), 80–85.
Klemenčič, J. in Podstenšek, T. (2025). Superjunaki in drugi: stripi po kratkih zgodbah Toma Podstenška. Forum.
Krančan, D. (2013). Bilo je zapisano: usodna ljubezenska zgodba, strip v sliki. Stripburger, 22(61), 88–92.
Kuper, P. (2020). Kafka: zbirka stripovskih zgodb. Forum.
Kvašytė, O. (2024). Don't drink from a puddle. Stripburger, 33(83), 20–28.
McCay, W. (2022). Winsor McCay - the complete Little Nemo (A. Braun, ur.). Taschen.
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Avtorske pravice (c) 2026 Katja Štesl

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